Lucas Paint Brush



The issue is that the Lucas Pro-Tools paint brush is so damn expensive. At £60 each, I have to admit, I was struggling to justify the cost but I think I now might be able to. The first thing to note is that this brush is not really meant for enthusiastic amateur DIYers like me. It is a proper professional tool. Shop an assortment of top-rated Luco Brushes products online at Blick. Find big savings on your favorite art supplies. Discover the best brands at Blick. Lucas ProTools launches its first new amazing paint brush at the McLaren Technology Centre The first product in the range, the ProFinish, takes the paintbrush to new levels of quality and performance. The brush features a long, round, black handle. Luco Black Squirrel Square Brushes. Luco Black Squirrel Square Brushes. These gorgeous pure squirrel hair square-edged locks are fixed with hand-tied quills to this unique chiqueter brush. The brush features a.

The Lucas ProTools range of advanced professional tools has been launched featuring the Lucas ProFinish paintbrush.

Manufactured in Britain the ergonomically designed ProFinish uses high quality wooden handles and DuPont filaments.

The Lucas ProFinish Paintbrush comes in a boxed set along with a ProGuard, a Filament Wrap and a ProComb. The robust ProGuard keeps the brush safe, the Filament Wrap retains the chiselled shape and when used in conjunction with the ProGuard can keep a brush filament moist and ready for use, avoiding multiple daily washing. The ProComb is used to clean the ferrule and the filaments.

All ProFinish paintbrushes have an individual serial number that can be registered on the Lucas ProTools website allowing the opportunity to refurbish or re-head the brush if required. ProFinish is a 2.5 inch brush with a tipped and flagged 100% DuPont™ Chinex® filament. It is perfect for use on walls and woodwork with all water-based paints.

Lucas ProFinish Paintbrush

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Born October 12, 1951
Jefferson County, Alabama

Lucas Pro Finish Paint Brush

Charlie Lucas exhibited overflowing creative and mechanical ability since he was a young child. When he was born, his father was a chauffeur in Jefferson County, but he was also an ace auto mechanic. He taught his son how to take an engine apart and put it back together. He learned first hand the intricacies of the working parts of an automobile. Charlie’s mother was a quilter and made many beautiful works.

Charlie was one of fourteen children, and perhaps because he was such a creative child, his brothers and sisters had a hard time understanding him. “They did not understand why I was always building stuff. It made me play a lot by myself. I tried to fit in, but I was the black sheep….I’ve been making toys since I was a kid. It is toys to me, if I called them anything else I wouldn’t know what I was talking about.” Charlie’s grandfather, Melvin Jordan, was a gun smith and chair caner, and his great-grandfather, Cane Jackson was a blacksmith. “My great-grandfather Jackson was the gentlest man I ever knew,’ Charlie related, “I would go and watch him work. He never did anything too fast or too slow. He would say, ‘I’m going to do this today,’ and he would do it. He always put God in his work and through him, I put God in my work.”

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At fourteen, Charlie left home and took to the streets. ‘I stayed with friends and worked construction. I always found a job. All I needed was a bucket and a painting brush, that’s all I needed. I would go to different towns, knock on doors and ask people if they needed work done. People would give me jobs to do. I would do a good job and they would recommend me to somebody else. I didn’t get tired of traveling. I went to Florida because I wanted to see new things. I worked on a dock there.

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In 1971, Charlie came back home to Autauga County and married Annie Lykes. Together they had six children, but a serious back injury put him in bed for almost a year. He had enjoyed painting on found materials using leftover paint from his jobs. “That’s when I started working in metal.” Charlie remembers, “I asked God to let me do something that nobody else can do. I called myself the Tin Man because I only had ten dollars in my pocket.”

”My career is at the point that I want it to be. I don’t care if my name is in lights. My art is my family and friends. Through the Kind Spirit the pieces that I don’t sell talk to me and teach me. I’m real happy about myself. I’m teaching myself to read. In school I just wanted to study art. My teacher said `No! You need to learn a trade. Art is for white people. Now I can do anything I want to do…Now people recognize me and say `there goes Charlie Lucas.”

Lucas Paint Brush

Modified from an article by Miriam Fowler in 1992





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